Sometimes I just want to paint structure and there’s nothing like a glass jar buttressed stems, leathery leaves and huge, recurved thorns to work out that urge. These blackberry bushes grow uncultivated along the edge of our gravel road but the blossoms are huge, white and surprisingly delicate for living on nothing but dust and neglect.
Blackberries and Cherries, drawing in progress, vine charcoal on gessoed panel, 40 x 32
So much is happening in the garden: two new hives of bees, new bee fodder (phacelia!), new green manure mixtures, and a foray into next-gen gardening with Bio-Char. I want to write about all of it but there’s still life material growing out there too. The Ruby-Gold ornamental quince put out flowering branches for the first time this year; combined with a new thrift store tablecloth it made an excellent color study.
Quince in a Tan Vase, 24 x 18, oil on panel
Three weeks ago I looked out on the ocean of yellow “lion’s-tooth” flowers in our front yard and thought, I ought to paint some of those. This is the study, but there will be more (MANY MORE) coming soon.
Dandelions in a Blue Glass, oil on panel, 20 x 16
Every year the Land and Garden Preserve, keeper of some of the most beautiful properties on our beautiful island, solicits pieces from local artists for a fundraiser in late summer. The 2015 event will be July 30 – August 1 at the Asticou Inn, Northeast Harbor, Maine. I had the opportunity to paint inside Thuja Lodge over the course of several afternoons in September with some of their lovely still life objects on display.
The Dutch Shelves, Thuja Lodge – oil on panel
Here’s a detail of the view to the kitchen:
I think this is my last work done from drawings and site photos during summer 2014. I have months to go until the 2015 crop of glads comes in, but will spend that time doing studies of new glassware acquisitions and prepping for new varieties of cosmos as raw material. Meanwhile:
Glads in a Green Jar, oil on panel, 36 x 24
Posted in haste, there’s a lot to do today now that the sun is out! Time to unearth the gladiola bulbs from winter storage down cellar, clean them of last year’s soil and roots, and decide on a color planting arrangement for Garden 2015. I’m thinking those red ones, var. Palm Beach, should go near the front.
Glads in a Blue Jar, 36 x 24, oil on panel, and a detail:
Quince from the College of the Atlantic garden, and sage leaves from my plot there this summer, oil on panel, 24 x 36:
We have so much snow on the ground that the thought of painting it makes me shiver. I’m making drawings of the dark spruce trees bending under heaps of pristine white, but as an antidote I’m finishing images from this summer. The crab apples are from the community garden and orchard at College of the Atlantic.
Crab Apples and Teapot, 24 x 18, oil on panel
I’ve been slowly working up to larger paintings since we moved into the new studio last winter. The larger space is helpful but there are other factors as well, such as brush size, paint consistency, and composition. Fortunately all those very disparate things seem to be growing together. This new painting is the next standard size up: 24″ x 36″ and seemed like a whole new country after working on 18″ x 24″ panels for years. Now that I’m working on a few pieces this size I can hardly wait to move up to 48 x 72!
Apples on a Yellow Cloth, 24 x 36, oil on panel
A still life of all the flowers that grow along the paths and roadways on the island: mallow, borage, goatsbeard (Aruncus), echinecea, sage, and thistle. I’ve made myself a note not to try borage again for a while – it was incredibly difficult to make sense of in the drawing!
Acadian Bouquet, 24 x 18 inches, oil on panel