Every year the Land and Garden Preserve, keeper of some of the most beautiful properties on our beautiful island, solicits pieces from local artists for a fundraiser in late summer. The 2015 event will be July 30 – August 1 at the Asticou Inn, Northeast Harbor, Maine. I had the opportunity to paint inside Thuja Lodge over the course of several afternoons in September with some of their lovely still life objects on display.
The Dutch Shelves, Thuja Lodge – oil on panel
Here’s a detail of the view to the kitchen:
I think this is my last work done from drawings and site photos during summer 2014. I have months to go until the 2015 crop of glads comes in, but will spend that time doing studies of new glassware acquisitions and prepping for new varieties of cosmos as raw material. Meanwhile:
Glads in a Green Jar, oil on panel, 36 x 24
Maine Farmland Trust and the Falcon Foundation are collaborating on a project called “Paint the Farm” to create paintings of farms and farm life in Maine. I chose the Peggy Rockefeller Farm, which operates as part of the College of the Atlantic, in Bar Harbor. This is the road to the hay barn off Norway Drive last week.
March Thaw, oil on panel, 20 x 16
Posted in haste, there’s a lot to do today now that the sun is out! Time to unearth the gladiola bulbs from winter storage down cellar, clean them of last year’s soil and roots, and decide on a color planting arrangement for Garden 2015. I’m thinking those red ones, var. Palm Beach, should go near the front.
Glads in a Blue Jar, 36 x 24, oil on panel, and a detail:
Quince from the College of the Atlantic garden, and sage leaves from my plot there this summer, oil on panel, 24 x 36:
We have so much snow on the ground that the thought of painting it makes me shiver. I’m making drawings of the dark spruce trees bending under heaps of pristine white, but as an antidote I’m finishing images from this summer. The crab apples are from the community garden and orchard at College of the Atlantic.
Crab Apples and Teapot, 24 x 18, oil on panel
I’ve been slowly working up to larger paintings since we moved into the new studio last winter. The larger space is helpful but there are other factors as well, such as brush size, paint consistency, and composition. Fortunately all those very disparate things seem to be growing together. This new painting is the next standard size up: 24″ x 36″ and seemed like a whole new country after working on 18″ x 24″ panels for years. Now that I’m working on a few pieces this size I can hardly wait to move up to 48 x 72!
Apples on a Yellow Cloth, 24 x 36, oil on panel
A still life of all the flowers that grow along the paths and roadways on the island: mallow, borage, goatsbeard (Aruncus), echinecea, sage, and thistle. I’ve made myself a note not to try borage again for a while – it was incredibly difficult to make sense of in the drawing!
Acadian Bouquet, 24 x 18 inches, oil on panel
New encaustic on the easel:
On Sundays I have time to heat the wax and really think through the layers I need to produce complex colors in layers of wax. Encaustic bears a great resemblance to printmaking media, in that each mark is finite and permanent; there is no moving the color around after that first brushstroke. Of course, our winter days are so short I don’t have enough daylight to take a photo of the finished piece until the following Saturday, but I’ll try to post these on a weekly schedule. Next up, a small white vase with a pink spider mum against a gray sky and an entirely new vocabulary of colors to learn.
It’s November, and the garden is gray and cold so it’s time to finish up all those paintings I started of roses back in July and August! This one is Königin von Danemark (Queen of Denmark), a Portland rose introduced in 1826. It blooms all season – in fact it would probably be blooming right now except that the deer got to it a few nights ago. Very sad, but stay tuned for updates on an improved electric fence mapping project.
Roses in a Green Glass, 24 x 18, oil on panel.