A study for a larger painting, a bouquet of mint blossoms on a linen cloth.
24 x 18, oil on panel
In October we had the invasion of crab apples (and fruit flies) in the studio, wind storms with power outages, and revelations about drapery and the role of drawing in painting thanks to a dear friend lending me her copy of Modern Prints and Drawings by Paul Sachs.
Now it has turned November and we have quince in progress, 24 x 18, oil on panel.
I very much wanted to title this piece “Mrs. M. and the Cherry Tree That Desperately Needs Pruning” but that sounded too much like the next Harry Potter novel.
This is a study for a larger painting, but we have to get our model time in when we can (especially during blackfly season).
Ivory Black on panel, 24 x 24
Hibiscus is one of the last perennials to “wake up” every spring in the Maine garden, but is reliably, improbably, hardy in zone 5. Come September the flowers glow like torches lit against the dark maroon foliage. An autumn morning cloudy sky and apple branches add to the illusion that the papery flowers, beloved of Kali, are lit from within.
Hibiscus #1, 36 x 24, oil on panel
A new piece that explores my new ideal of representing plants surrounded by both their environment and compatriots; a group portrait as if Rembrandt’s Night Watch were tall herbs assembling on the garden path in all their finery.
Elecampne on the Garden Path, oil on panel, 36 x 24
Honeysuckle is a reliable plant in the Maine climate, and I’d probably grow it for the hummingbirds even if it was fussy to grow. They flit in and out of the foliage from June to September and even the most competitive males find neutral territory to feed in peace on the red trumpets scattered over this huge, tangled bush. The purple flowers are Matronalis, or Dame’s Rocket, a member of the mustard family and much more deer-proof than Phlox, which they strongly resemble.
The final work will be 36 x 24, and the medium is oil on panel. We’re about halfway done in this photo, wish me luck!
This oil on panel is only 24 x 18 inches but required many color studies and more than a few site visits to finish. The granite underlying most of Mount Desert Island is a pink coarse-grained hornblende granite (Cadillac Mountain Granite) but Compass Harbor features a variety of older stratified rocks, including a volcanic series of tuff, felsite and interbedded volcanic and sedimentary rocks. The jumble of intersecting planes is fascinating, especially when the rocks are damp and showing off their true colors.
Compass Harbor with Bald Porcupine Island, 24 x 18, oil on panel