Posts Tagged ‘drawing’

New work

Tuesday, December 8th, 2009

apricots on a green plate

Apricots on a Green Plate

Small paintings are really hard. I had no idea. I have a feeling I wasn’t a very good painter the last time I tried to go 9 x 12 inches, and with some increase in ability comes the need for enough space to swing the arm from the shoulder – get some muscle into it. I have some plums set up next, on the same size board, so that when I start an 18 x 24 drawing next week it will feel huge.

New work

Sunday, November 29th, 2009

berries in a crystal dish

Berries in a Dish, 9″ x 12″, pastel on board

This will be a series of (at least) three small panels. I started out with the motive that I would study the more complicated passages in some of my new set-ups (blackberries are not to be approached for the first time without a dry run) but the drawings took on a life of their own. The largest size panel I work on is 18″ x 24″, which is plenty large for my studio space. If I went any bigger no one would be able to get into the bathroom. Still, 9″ x 12″ feels tiny and has required a change of technique – a broadening of my marks. Odd that such a small space must be filled with ever larger areas.

Next up, apricots on a green plate.

One of many that got away.

Sunday, November 8th, 2009

bad painting

I produce about 24 drawings a year. They don’t all turn out well, which is neither surprising nor heartbreaking. This piece is a dud. The composition was dramatic with beautiful color and familiar material – I’ve drawn a lot of nasturtiums over the years – but the final product failed the “can this leave the house?” test, so it went to the Strawberry Hill Transfer Station rather than the gallery.

In order to pass the test, the painting must be entirely “meant”. van Gogh’s “Sunflowers” passes the test – every passage is approached with the same degree of confidence and finish. The viewer doesn’t doubt the wall behind or the surface (a table?) beneath the vase and flowers. The painter didn’t piddle off in the corner, where he wasn’t sure how to indicate a further room. A great painting might be drawn badly (Velasquez drives me nuts) but the passage is carried through like a knife though water – we are unfazed by any discrepancy.

Tonight I have a small crystal bowl full of huge purple blackberries to start on; we’ll see where it ends up.

New work

Thursday, November 5th, 2009

blackware with portfolio

Blackware with Portfolio, pastel on board, 18 x 24 inches

Views I’m never going to paint

Thursday, October 15th, 2009

hydranga sept

This beautiful Hydranga grows in front of the office of a hotel on Rte. 3, about two feet from the busy highway on one side and the same distance from the roundabout on the other. All winter the plow trucks brush it by and dump sand and salt all over the little plot of grass it sits on. It never seems to be watered or cared for in the summer; they just mow the lawn around it and let it be.  No one prunes it or takes off the dead flower heads in the fall. Evidently hydrangaes love neglect.

I’ve admired this shrub for years and tried to draw it once or twice but I’ve failed miserably to bring across the sheer abundance of the blossoms, the fade from dark to bright on the individual flower heads as well as en masse and the strength of the branches underneath that carpet of foliage. It is now firmly in the category of “things I’m never going to paint”.

New Work – The Midway

Tuesday, October 13th, 2009

smokeys greater shows early morning

Smokey’s Greater Shows, Walmart parking lot, Ellsworth Maine

From the Fryeburg Fair Chronicles:

Bud Gilmore, the show’s owner, explained that when Bud was four or five, his father Ronald had the “largest mare in the world” named Gene which weighed 3200 pounds. They lived on a farm in Bolyston, Massachusetts and showed the mare around rural New England and into Canada.

“Then shortly thereafter we built a hotdog and hamburger stand, and we traveled with that quite a few years. We had an old truck, and we carried the stand in that. We’d set it up, then my mother and father slept in the truck, and my brother and I slept on the ground. We did that until school started. Then we’d get boarded out, and they’d finish up fair season. Somewhere in the 1950s we built a french-fry stand to go with it, a couple of games, and bingo later on.”

About 1965 the Gilmores loaned some money to a fellow with a fair route, and when he couldn’t pay it back, they took over the route. They didn’t own any rides at the time; they took care of the bookings, sold tickets, and collected the rents. Then they started buying rides. Their first one in 1965 was a tilt-a-whirl; a brand new one; which cost $22,000. “Now a tilt-a-whirl; of course they’ve improved somewhat, basically the same ride, just a little easier to set up; is around $250,000,” he said. “My father died in 1970 when I was finishing college. We had seven rides then, and I just went out and started running the show and buying more and more rides. Until now I’m at the point I’ve got too many rides. Don’t need them all, but we’ve got about 50 rides now I guess.” What was it like being a young boy working the fair circuit? Gilmore made it sound like an adventure with story after story, but he worked hard, too. He helped in the family’s hotdog stand, hustled soda or popcorn in the grandstand, helped with his father’s games, and found other moneymaking jobs for neighboring concessionaires.

And on a rainy summer morning I found them all laid out and idle in the Walmart parking lot at nine o’clock on a Sunday morning. I wandered around for a while, trying to make little sketches and samples of the amazing chemical colors, but I gave up and moved to a vantage point farther away. It was just too private down amongst the machinery.  Campers and RVs were scattered around and people were wandering half dressed, brushing their teeth or drinking coffee – I felt as intrusive as I would have been in a stranger’s living room, and moved off to make my observations from a nearby hill.

Tools of the trade

Monday, August 24th, 2009

ammo

This week I bought six new pastels – Sennheliers in shades of blue-brown and green-gray, the perfect colors for shadows in summer. I haven’t added them to my inventory spreadsheet yet, but this is what is represented in the photo above. (The decimal point denotes a change of tint.)

code color comment
700.5 black six sticks
548.3 blue violet
548.5 blue violet
548.5 blue violet
548.7 blue violet
548.8 blue violet
548.3 blue violet
548.7 blue violet
640.3 bluish green
640.5 bluish green
640.7 bluish green
640.9 bluish green
727.1 bluish grey
727.3 bluish grey
727.7 bluish grey
727.8 bluish grey
727.8 bluish grey
727.9 bluish grey
727.9 bluish grey
727.5 bluish grey
727.3 bluish grey great color
727.5 bluish grey great color
727.7 bluish grey
411.1 burnt sienna
411.3 burnt sienna
411.5 burnt sienna
411.5 burnt sienna
411.7 burnt sienna
411.8 burnt sienna
411.9 burnt sienna
400.3 burnt umber
409.1 burnt umber
409.5 burnt umber
409.7 burnt umber
409.9 burnt umber
409.8 burnt umber
343.3 caput mortuum red
343.5 caput mortuum red
343.7 caput mortuum red
343.8 caput mortuum red
343.9 caput mortuum red
343.9 caput mortuum red
318.3 carmine
318.3 carmine
318.5 carmine
318.7 carmine
318.7 carmine used
318.8 carmine
318.9 carmine
318.9 carmine
627.1 cinn green deep
627.3 cinn green deep
627.5 cinn green deep
627.7 cinn green deep
627.9 cinn green deep
626.1 cinnabar green light
626.3 cinnabar green light
626.5 cinnabar green light
626.7 cinnabar green light
626.9 cinnabar green light
202.12 deep yellow
202.3 deep yellow
202.5 deep yellow used
202.7 deep yellow
202.7 deep yellow
202.9 deep yellow
231.1 gold ochre
231.5 gold ochre
231.7 gold ochre
231.8 gold ochre
231.9 gold ochre
231.3 gold ochre
709.1 green grey
709.5 green grey
709.7 green grey used
709.8 green grey
709.8 green grey
709.8 green grey
709.9 green grey
709.3 green grey used
709.1 green grey
704.1 grey
704.3 grey used
704.5 grey
704.7 grey
704.8 grey
704.9 grey
704.7 grey
347.3 indian red used
347.5 indian red
347.9 indian red
347.7 indian red
205.12 lemon yellow
205.3 lemon yellow
205.5 lemon yellow
205.8 lemon yellow
205.9 lemon yellow
236.3 light orange
236.5 light orange
236.7 light orange
236.8 light orange
236.9 light orange
339.1 light oxide red
339.5 light oxide red
339.7 light oxide red
339.8 light oxide red
339.9 light oxide red
339.3 light oxide red
201.3 light yellow appears green
201.5 light yellow
201.7 light yellow
201.8 light yellow
331.5 madder lake deep
331.7 madder lake deep
331.8 madder lake deep
331.9 madder lake deep
538.1 mars violet
538.1 mars violet
538.3 mars violet used
538.5 mars violet used
538.7 mars violet
538.8 mars violet
538.9 mars violet
707.1 mouse grey
707.5 mouse grey
707.7 mouse grey
707.8 mouse grey
707.9 mouse grey
707.3 mouse grey
620.1 olive green
620.5 olive green
620.5 olive green
620.7 olive green
620.7 olive green
620.8 olive green
620.3 olive green
620.3 olive green
620.3 olive green not as dark as it looks
235.3 orange
235.5 orange
235.8 orange
235.9 orange
235.9 orange
619.3 perm green deep
619.5 perm green deep
619.5 perm green deep
619.7 perm green deep
619.9 perm green deep
618.3 perm green light
618.5 perm green light
618.8 perm green light
618.9 perm green light
372.1 perm red
372.5 perm red
372.5 perm red
372.9 perm red
372.8 perm red
371.7 perm red deep
371.8 perm red deep
371.9 perm red deep
370.3 perm red light
370.5 perm red light
370.7 perm red light
370.9 perm red light
397.1 perm rose
397.3 perm rose
397.5 perm rose
397.7 perm rose
397.9 perm rose
633.3 perm yellow green
633.5 perm yellow green
633.7 perm yellowish green
633.9 perm yellowish green
372.3 permanent red
371.3 permanent red deep
371.5 permanent red deep 2 sticks
570.3 phthalo blue
570.5 phthalo blue
570.7 phthalo blue used
570.9 phthalo blue used
675.3 phthalo green
675.5 phthalo green
675.8 phthalo green
508.3 prussian blue
508.5 prussian blue
508.7 prussian blue
508.8 prussian blue
234.3 raw sienna
234.5 raw sienna
234.7 raw sienna
234.8 raw sienna
234.9 raw sienna
234.1 raw umber
408.1 raw umber
408.3 raw umber
408.5 raw umber
408.7 raw umber
408.9 raw umber
408.5 raw umber
545.3 red violet two sticks
545.5 red violet
545.7 red violet
545.8 red violet
522.1 turquoise blue used
522.1 turquoise blue used
522.3 turquoise blue
522.5 turquoise blue
522.8 turquoise blue used
522.1 turquoise blue
505.5 ultra light
505.5 ultra light
505.7 ultra light
506.1 ultramarine blue
506.3 ultramarine blue
506.5 ultramarine blue
506.5 ultramarine blue
506.7 ultramarine blue
506.9 ultramarine blue
506.9 ultramarine blue great color
505.9 ultramarine light
505.8 ultramarine light great color
536.3 violet
536.5 violet used
536.7 violet
100.5 white 6 sticks
227.1 yellow ochre
227.3 yellow ochre
227.5 yellow ochre
227.5 yellow ochre
227.7 yellow ochre
227.9 yellow ochre

Time for a work post

Thursday, April 23rd, 2009

The Salt-glazed Pot

The Salt-glazed Pot, 18″ x 24″, pastel on board

I ran across all the sketches, photos and color swatches for this piece last night as I was cleaning up my studio area. The teapot is very old, salt-glazed at a factory in central Connecticut, the bowl is Danish. This one spot on our kitchen table is brilliantly lit for a few weeks in the winter.

Other avenues. . .

Monday, March 23rd, 2009

I keep a notebook of places to paint, eventually, some day when I have more time out of doors.  Some of these houses and trees will wait till I return and some have been torn down or “restored” out of character. The images are  glossy 4 x 5’s taken with an ancient auto-everything Nikon and worked over with a Sharpie and photo retouch markers.

Page 2, snowstorm

Page 8 - Bar Harbor, Southwest Harbor

Page 3 - Cromwell Rd.