Archive for the ‘still life’ Category

Flowers in the cellar

Sunday, January 22nd, 2012

In 2011 I grew several varieties of chrysanthemums from King’s Mums in Oregon. They were absolutely beautiful – and next year I’ll pay more attention to de-budding and have even larger (if fewer) blooms. We have a short season here so I grew the plants in large flower pots and moved them down cellar at first frost. I assumed that the plants would winter over but did not have high hopes for the flowers and the buds yet to open. As it turned out, the flowers did very well under the florescent lights. I made multiple bouquets for the office and had lots of still life material right through November.  Highly recommended!

todays drawing

Today’s chrysanthemum drawing, 10 x 15 inches, charcoal on rag paper

October gardening

Friday, October 28th, 2011

The late October to-do list includes:

Rake neighbor’s driveway: for the dual purpose of making her steep slope less slippery and harvesting wheelbarrows full of mulch for the blueberries, hydrangea, and current bushes. Every year I’m amazed what a soft, abundant cushion falls from the white pines that still look fully clothed in green needles.

Move the chrysanthemums from the yard to the hoop house and then eventually down cellar under the grow lights. Mums are one of my favorite plants to draw – their structure is so loud and on display – but they are the last flowers to bloom in my garden. That means nursing them through waning day length and falling temperatures, but it’s worth it for the source material. I indulge myself every year and buy two or three varieties from King’s Mums in Oregon, in search of my very own Mondrian.

Plant red garlic in the beds by the house where tomatoes grew this summer. A virus blew up the coast with Hurricane Irene and shut the tomato production down in August, so I should give these beds a rest from anything in the nightshade family for three years. I loosened the soil a bit with a hoe and planted a pound of cloves about 6″ on center all over the beds, while admiring the creepy-crawlies (baby pill bugs – very cute) and weeding out the tiny tomato seedlings (not this year, sorry). This spring I’ll interplant the garlic shoots with lettuce, spinach and beet greens, and then harvest the bulbs in late fall, 2012.

Prepare fruit trees for winter: rake up the leaves and compost them somewhere away from the trees to keep the pest population down, check the trunks for borers (apple borer is very common here) and rodent damage, put down a layer of seaweed mulch, then a layer of hay, and wrap the lower portion of each tree in wire screening to keep out the mice and shrews. Eventually I’ll also stamp the snow down in a big circle at the drip line to discourage tunneling. A friend of mine stopped by as I was kneeling on the cold wet ground and messing with string and mesh, and asked me why I bother, since none of my trees ever showed any damage? Ayuh.

Clear out the peas: One of my favorite garden tools is hemp twine. I used to spend time and energy ripping the vines out of nylon netting; now I cut the string from the poles and compost the whole heap together. Brilliant!

Return to the house cold and damp all over. Build a fire, make dinner, work on a painting, and go to sleep under two quilts; repeat until April.

 

New work

Wednesday, October 5th, 2011

Summer is bad for finished work. Company, traffic, software installations, The Garden, family (as opposed to company), and longer days to be outside all conspire to keep me from the easel. Finally, we’ve reached Fall!

Fallen Peony, 18 x 24 inches, pastel on board

New work

Sunday, July 17th, 2011

18″ x 24″, pastel on museum board. I go back and forth all the time on what to use as a title, and there is certainly plenty of documentation to show that artists down through the ages have wrestled with the same decision. For now, I’m returning to my earlier practice of listing the ingredients in the composition. This drawing is Mineolas, Euphorbia and Strawberry Plant. Weird, but true.

This drawing is nudgy enough (that’s the technical term) to require the larger view. Go ahead and click.

New work

Sunday, March 27th, 2011

The Apron – 18″ x 24″ pastel on board. My grandmother’s worn cotton apron made an interesting ground for this composition, but it will be a good long time until I can face drawing it again.

New work

Monday, February 28th, 2011

Avocado with Lilies, 20″ x 26″, pastel on board. I feel like I am beginning to learn something about still life painting and what it means; about the passage of time.

New work

Tuesday, February 1st, 2011

It’s snowing. Snow has been falling continuously since noon and is predicted to continue until late tomorrow night with accumulations of a foot or more. When I was in college in Philadelphia I met a woman who had only recently left her home in Tallahassee and had only seen snow in pictures. She had assumed each six-pointed snowflake to be the size of a dinner plate (just like they appeared in the encyclopedia) otherwise how would they pile up into drifts of ten feet or more in Buffalo? She was very disappointed the first time it snowed in Philly and the small, tired piles on the sidewalks never resolved themselves into crystals visible to the naked eye.

It has been a blessing these past few weeks to be working on images from the summer months while the wood stove sends warmth up the stairwell to my upper room. Trudy would have liked this drawing, I think, and been impressed with sheer multitude of tiny flakes outside.

Old work

Sunday, January 30th, 2011

We’re between snow storms on the island, with about 3′ on the ground and more coming Wednesday. The paths are shoveled and the birds are fed and the inside of the house is warm and bright so, cleaning! We’re planning to rearrange the first floor of the house now that The Boy is living in another city so cleaning in this sense means “cleaning out”.

I’ve surrounded myself with piles of old recipe cards from my mother and her sisters to be sent to one of my nieces, boxes of Irish crochet pieces to be assembled into something I can wear or given away, a satisfyingly large bag of trash, and some old paintings.

I gave up on oils nearly five years ago. The switch to dry media was driven by time and method considerations that haven’t changed so I won’t be going back any time soon, but it’s interesting (for me) to see what I was doing with a brush and liquid. This small painting of grapes in a bowl purchased with Morton salt coupons in the 40′s was done about 10 years ago.

Now, back to editing my life. We’ll see what else turns up. . .

New work

Saturday, January 22nd, 2011

Well, not so new to those of you following along at home. I took the drawing of asters out to the front yard this afternoon and shot a photo in real light. The easel stationing itself easily in nearly 2′ of snow was just a bonus.

Asters in a Blue Jar, 20″ x 16″, pastel on board.

Work no longer in progress, Asters part 9

Friday, January 21st, 2011

There’s a lovely local saying that goes; “Stick a fork in’er, she’s done!”.

Tomorrow – assuming it stops snowing – I’ll take a proper photo of the drawing in natural light and that will be the final post in this series. My thanks to everyone who has come along for the ride for the encouragement and interesting comments. Onward!