Archive for the ‘art’ Category

Views I’m never going to paint

Thursday, October 15th, 2009

hydranga sept

This beautiful Hydranga grows in front of the office of a hotel on Rte. 3, about two feet from the busy highway on one side and the same distance from the roundabout on the other. All winter the plow trucks brush it by and dump sand and salt all over the little plot of grass it sits on. It never seems to be watered or cared for in the summer; they just mow the lawn around it and let it be.  No one prunes it or takes off the dead flower heads in the fall. Evidently hydrangaes love neglect.

I’ve admired this shrub for years and tried to draw it once or twice but I’ve failed miserably to bring across the sheer abundance of the blossoms, the fade from dark to bright on the individual flower heads as well as en masse and the strength of the branches underneath that carpet of foliage. It is now firmly in the category of “things I’m never going to paint”.

New Work – The Midway

Tuesday, October 13th, 2009

smokeys greater shows early morning

Smokey’s Greater Shows, Walmart parking lot, Ellsworth Maine

From the Fryeburg Fair Chronicles:

Bud Gilmore, the show’s owner, explained that when Bud was four or five, his father Ronald had the “largest mare in the world” named Gene which weighed 3200 pounds. They lived on a farm in Bolyston, Massachusetts and showed the mare around rural New England and into Canada.

“Then shortly thereafter we built a hotdog and hamburger stand, and we traveled with that quite a few years. We had an old truck, and we carried the stand in that. We’d set it up, then my mother and father slept in the truck, and my brother and I slept on the ground. We did that until school started. Then we’d get boarded out, and they’d finish up fair season. Somewhere in the 1950s we built a french-fry stand to go with it, a couple of games, and bingo later on.”

About 1965 the Gilmores loaned some money to a fellow with a fair route, and when he couldn’t pay it back, they took over the route. They didn’t own any rides at the time; they took care of the bookings, sold tickets, and collected the rents. Then they started buying rides. Their first one in 1965 was a tilt-a-whirl; a brand new one; which cost $22,000. “Now a tilt-a-whirl; of course they’ve improved somewhat, basically the same ride, just a little easier to set up; is around $250,000,” he said. “My father died in 1970 when I was finishing college. We had seven rides then, and I just went out and started running the show and buying more and more rides. Until now I’m at the point I’ve got too many rides. Don’t need them all, but we’ve got about 50 rides now I guess.” What was it like being a young boy working the fair circuit? Gilmore made it sound like an adventure with story after story, but he worked hard, too. He helped in the family’s hotdog stand, hustled soda or popcorn in the grandstand, helped with his father’s games, and found other moneymaking jobs for neighboring concessionaires.

And on a rainy summer morning I found them all laid out and idle in the Walmart parking lot at nine o’clock on a Sunday morning. I wandered around for a while, trying to make little sketches and samples of the amazing chemical colors, but I gave up and moved to a vantage point farther away. It was just too private down amongst the machinery.  Campers and RVs were scattered around and people were wandering half dressed, brushing their teeth or drinking coffee – I felt as intrusive as I would have been in a stranger’s living room, and moved off to make my observations from a nearby hill.

New work.

Saturday, September 26th, 2009

Papaver o. and tan vase with snow flowers

Papaver o. and tan vase with snow flowers

Tools of the trade

Monday, August 24th, 2009

ammo

This week I bought six new pastels – Sennheliers in shades of blue-brown and green-gray, the perfect colors for shadows in summer. I haven’t added them to my inventory spreadsheet yet, but this is what is represented in the photo above. (The decimal point denotes a change of tint.)

code color comment
700.5 black six sticks
548.3 blue violet
548.5 blue violet
548.5 blue violet
548.7 blue violet
548.8 blue violet
548.3 blue violet
548.7 blue violet
640.3 bluish green
640.5 bluish green
640.7 bluish green
640.9 bluish green
727.1 bluish grey
727.3 bluish grey
727.7 bluish grey
727.8 bluish grey
727.8 bluish grey
727.9 bluish grey
727.9 bluish grey
727.5 bluish grey
727.3 bluish grey great color
727.5 bluish grey great color
727.7 bluish grey
411.1 burnt sienna
411.3 burnt sienna
411.5 burnt sienna
411.5 burnt sienna
411.7 burnt sienna
411.8 burnt sienna
411.9 burnt sienna
400.3 burnt umber
409.1 burnt umber
409.5 burnt umber
409.7 burnt umber
409.9 burnt umber
409.8 burnt umber
343.3 caput mortuum red
343.5 caput mortuum red
343.7 caput mortuum red
343.8 caput mortuum red
343.9 caput mortuum red
343.9 caput mortuum red
318.3 carmine
318.3 carmine
318.5 carmine
318.7 carmine
318.7 carmine used
318.8 carmine
318.9 carmine
318.9 carmine
627.1 cinn green deep
627.3 cinn green deep
627.5 cinn green deep
627.7 cinn green deep
627.9 cinn green deep
626.1 cinnabar green light
626.3 cinnabar green light
626.5 cinnabar green light
626.7 cinnabar green light
626.9 cinnabar green light
202.12 deep yellow
202.3 deep yellow
202.5 deep yellow used
202.7 deep yellow
202.7 deep yellow
202.9 deep yellow
231.1 gold ochre
231.5 gold ochre
231.7 gold ochre
231.8 gold ochre
231.9 gold ochre
231.3 gold ochre
709.1 green grey
709.5 green grey
709.7 green grey used
709.8 green grey
709.8 green grey
709.8 green grey
709.9 green grey
709.3 green grey used
709.1 green grey
704.1 grey
704.3 grey used
704.5 grey
704.7 grey
704.8 grey
704.9 grey
704.7 grey
347.3 indian red used
347.5 indian red
347.9 indian red
347.7 indian red
205.12 lemon yellow
205.3 lemon yellow
205.5 lemon yellow
205.8 lemon yellow
205.9 lemon yellow
236.3 light orange
236.5 light orange
236.7 light orange
236.8 light orange
236.9 light orange
339.1 light oxide red
339.5 light oxide red
339.7 light oxide red
339.8 light oxide red
339.9 light oxide red
339.3 light oxide red
201.3 light yellow appears green
201.5 light yellow
201.7 light yellow
201.8 light yellow
331.5 madder lake deep
331.7 madder lake deep
331.8 madder lake deep
331.9 madder lake deep
538.1 mars violet
538.1 mars violet
538.3 mars violet used
538.5 mars violet used
538.7 mars violet
538.8 mars violet
538.9 mars violet
707.1 mouse grey
707.5 mouse grey
707.7 mouse grey
707.8 mouse grey
707.9 mouse grey
707.3 mouse grey
620.1 olive green
620.5 olive green
620.5 olive green
620.7 olive green
620.7 olive green
620.8 olive green
620.3 olive green
620.3 olive green
620.3 olive green not as dark as it looks
235.3 orange
235.5 orange
235.8 orange
235.9 orange
235.9 orange
619.3 perm green deep
619.5 perm green deep
619.5 perm green deep
619.7 perm green deep
619.9 perm green deep
618.3 perm green light
618.5 perm green light
618.8 perm green light
618.9 perm green light
372.1 perm red
372.5 perm red
372.5 perm red
372.9 perm red
372.8 perm red
371.7 perm red deep
371.8 perm red deep
371.9 perm red deep
370.3 perm red light
370.5 perm red light
370.7 perm red light
370.9 perm red light
397.1 perm rose
397.3 perm rose
397.5 perm rose
397.7 perm rose
397.9 perm rose
633.3 perm yellow green
633.5 perm yellow green
633.7 perm yellowish green
633.9 perm yellowish green
372.3 permanent red
371.3 permanent red deep
371.5 permanent red deep 2 sticks
570.3 phthalo blue
570.5 phthalo blue
570.7 phthalo blue used
570.9 phthalo blue used
675.3 phthalo green
675.5 phthalo green
675.8 phthalo green
508.3 prussian blue
508.5 prussian blue
508.7 prussian blue
508.8 prussian blue
234.3 raw sienna
234.5 raw sienna
234.7 raw sienna
234.8 raw sienna
234.9 raw sienna
234.1 raw umber
408.1 raw umber
408.3 raw umber
408.5 raw umber
408.7 raw umber
408.9 raw umber
408.5 raw umber
545.3 red violet two sticks
545.5 red violet
545.7 red violet
545.8 red violet
522.1 turquoise blue used
522.1 turquoise blue used
522.3 turquoise blue
522.5 turquoise blue
522.8 turquoise blue used
522.1 turquoise blue
505.5 ultra light
505.5 ultra light
505.7 ultra light
506.1 ultramarine blue
506.3 ultramarine blue
506.5 ultramarine blue
506.5 ultramarine blue
506.7 ultramarine blue
506.9 ultramarine blue
506.9 ultramarine blue great color
505.9 ultramarine light
505.8 ultramarine light great color
536.3 violet
536.5 violet used
536.7 violet
100.5 white 6 sticks
227.1 yellow ochre
227.3 yellow ochre
227.5 yellow ochre
227.5 yellow ochre
227.7 yellow ochre
227.9 yellow ochre

New work

Thursday, August 6th, 2009

bar-harbor-summer-morning-behind-the-shopsThe title of this piece is: “Bar Harbor in the summer, mid-morning low tide behind the shops looking toward the Schoodic Peninsula”. I have a friend who is an editor – a gifted person who can make sense of the combined history of the CIA and FBI, or sugar beets, or C++, or potty training. She has been making suggestions for my titling experiment. SP, can you help with this one?

Bar Harbor won’t look like this for long. There was a bulldozer parked just behind me as I made the drawings and photos that resulted in this piece. Soon the “Ship Shop” will be knocked apart and put back together as something shiny and, if the current designer has his way, rather Tudor-ish. I have no idea why “half-timbered” would be one’s choice of motif for a Downeast Maine fishing community. For one thing, we have fog, rain, sleet and all manner of cold moisture for most of the year; if the stucco was really structural it would be crumbled on its foundations by now. Perhaps the new construction will be fallen in and worn out enough to be fodder for my drawings in another 50 years or so – perhaps I’ll live long enough to find out.

New work

Monday, July 27th, 2009

rose-fondant

So, I’m thinking of starting a new title theme for my work, along the lines of Russian primitive icon labels. They are typically one long sentence that tells the story of the work: St. Paul rides a Lamb out of the gates of The Holy City at Sunset as beggars strew Palm Fronds. . .you get the idea. This painting would be called “Hansa Roses and Dianthus in a Bell jelly jar with black cherries on a Dutch plate on Jane Wineberger’s table linen around mid-day in July”. I know what everything is in my drawings – it would be hard not to what with staring at those items for hours and hours. Seems like I ought to own up to the knowledge, especially when I want to emphasize the object in the context of the painting, as is the case with the Dutch plate which belonged to my neighbor Rose, who died on Midsommer.

I guess the proof will be going forward, if I can keep to a schema. You should let me know what you think.

Strawberry ganache birthday tart

Monday, June 29th, 2009

birthday-strawberry-tart1
Crust

  • 1 cup all purpose flour
  • 3 tablespoons sugar
  • 1/4 teaspoon salt
  • 1/2 cup walnuts (you can actually use a cup or so of walnut halves)
  • 1/2 cup (1 stick) chilled unsalted butter, cut into 1/2-inch pieces
  • 2 egg yolks
  • 1/3 cup (generous) strawberry jam

Filling

  • 1 C  whipping cream
  • 2 Tbs white corn syrup
  • 4 Tbs unsalted butter
  • 6 ounces bittersweet (not unsweetened) or semisweet chocolate, chopped
  • 1 pint strawberries, hulled, halved.

Preparation

For Crust:
Combine flour, sugar and salt in processor and mix. Add walnuts; process until chopped. Add butter and cut in using on/off turns until mixture resembles coarse meal. Add yolks and process just until moist clumps form. Gather dough into ball; press into tart pan. Chill 30 minutes.

Preheat oven 375°F. Bake until golden brown, about 25 minutes or until golden. The crust will “puff” slightly, but that’s OK.  Spread jam on crust.  Cool completely on rack.

For Filling:
Heat cream and corn syrup in heavy small saucepan over medium-low heat until tiny bubbles appear around edges. Remove from heat. Add chocolate and butter, shake pan to mix slightly. Then beat with a whisk until mixed, cool until mixture is room temperature and beginning to thicken but still pourable, stirring occasionally, about 50 minutes. Pour chocolate filling into crust. Refrigerate until filling is set, about 1 hour. (Can be prepared 1 day ahead. cover and keep refrigerated.)

Arrange strawberries cut side down in concentric circles atop filling. Serve immediately or refrigerate up to 1 hour.

Have dinner of Creole shrimp a la “po’boy” (recipe to follow, some day) with friends and eat tart with birthday present of Rain vodka. For whatever reason, this is a great life.

New work

Tuesday, June 16th, 2009
Mel's Lane

Mel's Lane

18 x 24, pastel on marbled board, sunny afternoon in Stonington.

Ode To Rose

Monday, June 1st, 2009

Rose's back yard

I met Rose one day as she was hauling a piece of downed tree out of her driveway. An old woman, with a sweater on over her housecoat, and I stopped to help. She lived on the highway just down from my road and I drove past her house every day on my way to the high school, or the store, and wondered who lived there. She wasn’t particularly talkative, or overly grateful for the help, so I didn’t stop by often. Once to buy a wreath at Christmas from the rack out by the road, once just because she was out in the yard and I wanted a photo, for a painting, of the outbuilding up the hill.

Rose's house, morning light, from the highway

Rose's house, morning light, from the highway

Sunday I stopped by because there were tables in the front yard loaded up with dust collectors and glassware, and piles of old lady sweaters and housecoats. I thought I’d seen an obituary with a familiar name and sure enough, Genevieve, her grandson’s partner, informed me kindly that “Rose is gone, you know”. They are still leaving a bowl of cat food for the fox on the back porch and Genevieve was amused that I knew about that. They thought she had a cat.

Rose's plate

Rose's plate

I bought four flower plates, a tan lustre-ware vase with a yellow bird and cherry blossoms and a short pickling crock with an ancient, heavy lid for $4.00 total.  Good bye Rose, that’s all I know.

New work

Saturday, May 23rd, 2009
Cosmos in a Green Vase

Cosmos in a Green Vase

Finished last night; pastel, 16 x 20 on Ampersand Museum board. I’m getting more done during garden season this year. I think it has to do with confidence in the process. Petras Vaskas, who taught ceramics and moldmaking at the old Philadelphia College of Art, used to tell me that worrying about the work increased the load by half again, and he was right.