Archive for the ‘meta’ Category

New work

Monday, May 2nd, 2011

Sometimes I have down time, and when I do I pick up a book by Andrew Loomis entitled Fun with a Pencil. Most of the book consists of page after page of looney, retro figures: cartoons, facial expressions, activity poses, and types of people: laborers, bikini babes, infants, and old men. Right about the time you just can’t stand to draw another fat man with a bulbous nose the middle of the book changes course to perspective drawings.

Loomis begins with the artificial horizon and pretty soon has it filled in with trees and houses set along curvy roads, and another bikini girl posed on a set of stairs. From there the book moves indoors and explains how to lay out a room in 2D.

And that’s how I came to spend the weekend drawing the front room.

Old work

Sunday, January 30th, 2011

We’re between snow storms on the island, with about 3′ on the ground and more coming Wednesday. The paths are shoveled and the birds are fed and the inside of the house is warm and bright so, cleaning! We’re planning to rearrange the first floor of the house now that The Boy is living in another city so cleaning in this sense means “cleaning out”.

I’ve surrounded myself with piles of old recipe cards from my mother and her sisters to be sent to one of my nieces, boxes of Irish crochet pieces to be assembled into something I can wear or given away, a satisfyingly large bag of trash, and some old paintings.

I gave up on oils nearly five years ago. The switch to dry media was driven by time and method considerations that haven’t changed so I won’t be going back any time soon, but it’s interesting (for me) to see what I was doing with a brush and liquid. This small painting of grapes in a bowl purchased with Morton salt coupons in the 40′s was done about 10 years ago.

Now, back to editing my life. We’ll see what else turns up. . .

Exacompta

Tuesday, December 28th, 2010

The New Year is almost upon us – must be time to start a new daybook. I use the Exacompta “Space 24″ weekly desk planner. At @ 6 x 9 inches it has plenty of space to record weather, appointments and lists day to day, a generous “notes” area, and the paper lends itself beautifully to drawings. Meetings, conference calls and on-line seminars are just doodles waiting to happen.

The Donut Dragons

The amount of stress relief available from a black pen on smooth, heavy, finely finished paper is amazing. The Exacompta books start with the month of December of the prior year, so I’ll be switching over to 2011 tomorrow after recording notes about the “Boxing Day Blizzard of 2010″ (15″ of snow over two days here on the island) and what we had to eat on Christmas day in 2010. It’s always a wonderful feeling to start in on newly opened pages. Below is a small beastie from a short staff meeting in 2010 – Happy New Year!

Work in progress

Monday, October 4th, 2010

The autumn studio is home to still life set-ups featuring pumpkins,poppies and pink, angled October light – fodder for big paintings during the long, cold winter ahead.

Omphaloskepsis

Saturday, July 17th, 2010

Time for some navel-gazing. Below is a collection of search terms that brought readers to this blog over the past few months:

Raspberries (also razberry, raspberrys, rasberry), jam, pie, bush, growing

Still life (also still lives, stull life and still)

Hamburger stand inventory spread sheet. (Really?)

bad composition painting

bed construction (presumably garden beds)

Cinder blocks, cinder block construction, use cinder blocks, cement blocks – one of my biggest referral sites is a cinder block construction company in Arizona.

Blue mason jar

Screw down trivot photos

Amy Pollien, amy pollien, amy pollen, amy pollen bees

Time is but the stream

Poverty cake

Dumping bees into a hive at night time

George Dorr’s caretaker’s cottage

Yokkana seeds

Bonsai sisr

MDI Skate Park

Painting like Janet Fish (Thanks!)

New work

Friday, July 2nd, 2010

This is a study for a larger work that also features with roses, watermelon, green grapes and tiger lilies. I thought I ought to be familiar with some of the basic parts before I start on the larger chaos.

Tea Pot Study, 14" x 14", pastel on board

Celebrating the return of images

Monday, March 29th, 2010

with new work. This is “Watermelon and Pears”, pastel, 24 x 18 inches on board.

I have one more drawing planned from my set-ups in the hoop house over the summer. The light in there is diffuse and very white. I plan to start the 2010 flower season by  constructing a table-top  in the house to take advantage of a large south facing window for compositions with bright slanting planes of lights and shadows, yellow highlights and winking green glass bowls. I’m looking for an abrupt transition from Renoir to somewhere past Janet Fish – can’t wait!

Technical difficulties. . .

Sunday, March 28th, 2010

This blog is broken, sadly. The only problem is with uploading images, but of course I’m all about the images. We’ll be taking down the site later  today and putting something back up and quite possibly no one will be the wiser. On the other hand, this might be a new and unrecognizable entity by Monday and it’s only fair to leave a message.

I memorize a poem each season, using the time I spend commuting to work and the conference calls and meetings to which I go, but am not expected to contribute past putting out the occasional fire.  My choice for Winter 2010 seems strangely appropriate, so I’m leaving it here as a placeholder. “You, if any open this writing. . .”

Epistle to be Left in the Earth

…It is colder now
there are many stars
we are drifting
North by the Great Bear
the leaves are falling
The water is stone in the scooped rock
to southward
Red sun grey air
the crows are
Slow on their crooked wings
the jays have left us

Long since we passed the flares of Orion
Each man believes in his heart he will die
Many have written last thoughts and last letters
None know if our deaths are now or forever
None know if this wandering earth will be found

We lie down and the snow covers our garments
I pray you
you (if any open this writing)
Make in your mouths the words that were our names
I will tell you all we have learned
I will tell you everything

The earth is round
there are springs under the orchards
The loam cuts with a blunt knife
beware of
Elms in thunder
the lights in the sky are stars
We think they do not see
we think also
The trees do not know nor the leaves of the grasses hear us
The birds too are ignorant
do not listen
Do not stand at dark in the open windows
We before you have heard this
they are voices
They are not words at all but the wind rising
Also noone among us has seen God
(… We have thought often
the flaws of sun in the late and driving weather
pointed to one tree but it was not so.)
As for the nights I warn you the nights are dangerous
The wind changes at night and the dreams come

It is very cold
there are strange stars near Arcturus
Voices are crying an unknown name in the sky

Archibald MacLeish

Jerusalem Airlift

Thursday, March 11th, 2010

Jerusalem is an adjective in my family; it denotes a similarity in a New World object to something from the Old. Jerusalem artichoke (Helianthus tuberosus) isn’t even remotely related to an artichoke, but the taste is similar. Jerusalem Cherry, (olanum pseudocapsicum), is a member of the nightshade family with poisonous fruit – small, round, bright red fruit that look something like cherries. The Old World names were good enough, but the distinction had to be made lest you make a fatal pie out of New World cherries.

My family wrote hundreds of letters when I went away to college. Going away to college was new, but they’d had experience with going away to war and that’s how they approached it. Hundreds of letters about food. About their lives back home, actually – but I’d never realized that food was so much the overarching motif of those lives. I’m working the letters up into a collection. The Old World sent food, but the New sent a facsimile – a Jerusalem Airlift.

Mary came back to the Firehouse after, and we arranged platters of meats, breads and salads for 100. They gave us much more and also sent a beautiful whole ham for Mother and Ben. Dad cut it in chunks last night with the big knife so it could be divided easily. Mother froze the bone for soup later on. PS Thought I’d send nuts – maybe you can use a hammer and something for a pick.

It is supposed to snow this afternoon 2 – 8″ stopping around midnight. I am working overtime tomorrow, then on Sunday we are having your father’s birthday party. He wants that coconut pineapple cake of Doris Watkins’. It always falls apart, but he always asks for it.

I have plenty of excerpts to work with, and hope to begin setting up material to draw as illustrations. (I’m going to skip the ham.) A perfect frontspiece for the book, I think, will be a picture of me standing ghostly in the back yard, holding a layer cake.

The ones that got away. . .

Sunday, January 10th, 2010

This another post about a lost painting. Parts of it are quite lovely, but the situation has been lost and “the center cannot hold”. For some odd reason I feel better about these failed efforts if they can make one last blog post on their way out. I grow zinnias, french marigolds and cosmos every summer; perhaps I’ll even find the green globe vase and try again.

bad painting