Tag Archives: winter

March 2015: The Snow Garden

The first crop to be direct-seeded is always the peas. Some years I have tomato seedlings under lights that are weeks old, lettuce and green onions in flats, trays of cosmos and delphinium, but all those will have to wait until May before venturing outside. The peas are hardy souls, they love the icy soil, and they’re cheap enough that I can re-sow a batch if the temperatures drop too low.

This year we have nearly 4′ of snow over the entire garden. We had a few days this week where the temperatures finally made it above freezing but the snow pack simply settled and solidified. It’s not going anywhere fast. Yesterday I decided to help it along a little by digging through the drifts at the front of the house and excavating a bed to help it warm up under a sheet of black plastic.

Our metal roof dumps snow easily, which is a good thing when we don’t have to climb up there and shovel if off, and a bad thing when I have to cut through 5 – 6′ of packed drifts. Here’s the path to the spring pea bed (eventually):

pea-bed-001

I was very pleased that I managed to aim right to the corner of the pea bed – that is some NASA level shoveling right there.

shovel snow Now to shovel off the bed proper and cover it with black plastic to warm up:

future peas

For reference, this is what the rest of the garden looks like now, in March:

digging out or in

And this is the same view in June, 2014:

Maine JuneFor my bee group, all that yellow bloom is Dyer’s Woad, Isatis tinctoria. It’s a wonderful bee plant and a good source of blue dye.

New work

We have so much snow on the ground that the thought of painting it makes me shiver. I’m making drawings of the dark spruce trees bending under heaps of pristine white, but as an antidote I’m finishing images from this summer. The crab apples are from the community garden and orchard at College of the Atlantic.

Crab Apples and Teapot

Crab Apples and Teapot, 24 x 18, oil on panel

July in January

I’ve been working on my 2015 seed order this week and talking with a few garden friends about preferences in paprika peppers; rabbit and pigeon predation (I thought I had it bad with deer – at least they don’t fly!); cover crops, and the Eternal Chicken Question. All this brings to mind images of the garden in full green swing, not the current landscape of dingy grey snow with muddy patches and with a buzzcut of bare twigs and pale grasses. Here are some of my favorite images from July, 2014. (I was planning to take some side-by-side photos of today’s garden but it was too depressing – we don’t need a reminder that the ground is hard as iron right now and it will easily be four more months until it begins to soften and “green up”.)

Just outside the dooryard, on the southfacing hillside: broccoli, breadseed poppies, sorrel, mullein, strawberries, parsley, and a Beta pie cherry tree all held in place by withy rows of Black and Scottish basket willow. Down on the lower level you can see the Washington Hawthorns providing a thorny barrier against deer (and almost enough haws for a batch of jelly in 2014) and the silver foliage of the snake willow.

Broccoli withy

More from the dooryard: purple basil, pinks, calendula, and carrots grow under the Seckel pear tree. There’s an elderberry bush coming up on the left that will need to be transplanted (again!) into the swamp during Garden 2015.

purple basil and calendula

Entrance to the lower garden: rhubarb, German paste tomatoes, mustards (in bloom), columbine, Joe Pye weed, and rugosa

rhubarb, tomatoesPink and white rose-mallow, well, mostly white this year! It was nearly smothered by pole beans in August but managed well enough to be featured in several still life paintings.

mallowThe chaos that is the lower garden center: mullein, Russian crabapple, marshmallow, goldenrod (for bee fodder), and one of the glacial erratics that characterize the Maine island garden. There’s a path in there too, somewhere. . . .

lower gardenIn every photo set from my garden there should be at least one very, very confused plant. This Angelica decided to grow up through a cinderblock amidst the nasturtium and pole beans, and it did very well, considering.

sugar cane

Can’t wait until July, 2015!

 

 

 

New work – Apples on a Yellow Cloth

I’ve been slowly working up to larger paintings since we moved into the new studio last winter. The larger space is helpful but there are  other factors as well, such as brush size, paint consistency, and composition. Fortunately all those very disparate things seem to be growing together. This new painting is the next standard size up: 24″ x 36″ and seemed like a whole new country after working on 18″ x 24″ panels for years. Now that I’m working on a few pieces this size I can hardly wait to move up to 48 x 72!

Apples and Zinnias

 

Apples on a Yellow Cloth, 24 x 36, oil on panel

Happy Merry from Christmas past

This awesome holiday drawing was done by our son, circa 1995.

christmas at our house

There are details here that deserve commentary:

  • We built this house when Boy was a toddler, so there some things have received more emphasis than they might have from a child that didn’t witness quite so much construction for instance – light switches. As in, hey – we now have electricity!
  • Yes, we did store kayaks on hooks from the ceiling. In our defense, it’s a very small house with very high ceilings and it seemed like a good idea at the time?
  • Snow falls off that steep metal roof like king-sized mattresses being dropped from 40′. It sounds like thunder and was obviously a big part of his childhood.
  • Our neighbors were often in the front yard, spoiling for a snowball fight. I don’t remember the Darth Vader get-up but it’s possible.
  • My partner is a landscape painter. That painting hanging on the wall is a pretty good reproduction of a Robert Pollien.

May your season now be merry, and may you have joyous records of the time spent before!

New work – Acadian bouquet

A still life of all the flowers that grow along the paths and roadways on the island: mallow, borage, goatsbeard (Aruncus), echinecea, sage, and thistle. I’ve made myself a note not to try borage again for a while – it was incredibly difficult to make sense of in the drawing!

Acadia bouquet

 

Acadian Bouquet, 24 x 18 inches, oil on panel

Thuya bouquet series: Chinese Vase with Mums

New encaustic on the easel:

Mums in a Chinese Vase

On Sundays I have time to heat the wax and really think through the layers I need to produce complex colors in layers of wax. Encaustic bears a great resemblance to printmaking media, in that each mark is finite and permanent; there is no moving the color around after that first brushstroke. Of course, our winter days are so short I don’t have enough daylight to take a photo of the finished piece until the following Saturday, but I’ll try to post these on a weekly schedule. Next up, a small white vase with a pink spider mum against a gray sky and an entirely new vocabulary of colors to learn.

New work, redux

March in Maine: wearing crampons over my boots to hike down to Four Seals Beach and wearing fleece-lined leather gloves to stand on the rocks and draw, white sky with black rocks and seals barking in the distance, the full moon and the sun glowing on different horizons. I’m happy with the work, will continue to use a Cadmium Lemon wash and different hues to make the underlying map on this set of paintings.

Square Rock at 4 Seals

Four Seals, Square Rock, 18 x 24 inches, oil on board