On Sundays I have time to heat the wax and really think through the layers I need to produce complex colors in layers of wax. Encaustic bears a great resemblance to printmaking media, in that each mark is finite and permanent; there is no moving the color around after that first brushstroke. Of course, our winter days are so short I don’t have enough daylight to take a photo of the finished piece until the following Saturday, but I’ll try to post these on a weekly schedule. Next up, a small white vase with a pink spider mum against a gray sky and an entirely new vocabulary of colors to learn.
I’ve finished a 16″ x 20″ study of the front room at Thuya Lodge. There’s a lot going on in this small space and I think it’s a good choice for a larger painting – 32″ x 40″ would be very large for me.
When I finish a painting I often study enlarged random sections of the digital image. Do the individual brush strokes make sense of the shapes? Is the color pure and purposeful? Do the edges where colors meet perform well? I fall short of the mark of course, but it’s a helpful process on the long road to improvement. Below are the sections I chose to examine on this piece: