Tag Archives: still life

New work: Diptych of Poppies and Margarites

I’ve been experimenting with twin panels of overlapping arrangements. Diptychs are the art historian’s version of a chapter book, one view leading to another and sharing the overlap.

Here, alpine poppies, margarite daisies, cosmos, marigolds and woad spill out of 50’s vintage vases in morning light.

Diptych stilllife painting

Poppies and Margarites, 36 x 48 on two panels, oil on archival board

Finished, and off the easel

Snowberry Branches in a Tan Vase, 36 x 24, oil on panel

The native Symphoricarpos, commonly known as the snowberry, waxberry, or ghostberry, is a small genus of about 15 species of deciduousshrubs in the honeysuckle family, Caprifoliaceae. Most of the species are native to the eastern and midcoast of the US. In our yard the birds descend on the berries when they’ve turned soft and brown after a hard frost.

Snowberry Branches

Snowberry Branches, detail

Snowberry Branches, detail

New work: Hibiscus in the Morning

Hibiscus is one of the last perennials to “wake up” every spring in the Maine garden, but is reliably, improbably, hardy in zone 5. Come September the flowers glow like torches lit against the dark maroon foliage. An autumn morning cloudy sky and apple branches add to the illusion that the papery flowers, beloved of Kali, are lit from within.

Hibiscus #1, 36 x 24, oil on panel

New work: Honeysuckle and Dame’s Rocket

The days are just packed, as Calvin used to say to Hobbs. I have posts nearly ready to go about the Island-wide story slam, a recipe for arroz con/sin pollo in the wood oven, and a lecture on waffle gardening that I gave to the Castine Scientific Society last Tuesday. Meanwhile, I’ve been working my way through the first complete iteration of my “still life in situ” project with this painting of a honeysuckle vine framed by purple Matronalis.

This planting is in the dooryard, and I see it every morning as I leave the house in all kinds of weather and times of day. I want my paintings to represent something familiar and well known: plants that I’ve tended, pruned, picked for bouquets and appreciated in place. The time of day and season has become increasingly important to me.  I felt my previous still life compositions with vases and drapery had very little atmosphere. The morning light here provides context, and the blooms and foliage represent a particular stage of their growth and decay, which has long been a prime characteristic of still life painting.

honeysuckle dames rocket

Honeysuckle and Dame’s Rocket, 36 x 24, oil on panel

Honeysuckle, dames rocket, detail

And a detail, now with hummingbird!

Blackberry Branches – off the easel

Summer is a busy time. There have been weekends off-island (sometimes on another island), hours spent in the garden, long days spent at work, and lots and lots of holiday traffic. Somehow, I eked out enough studio time to complete the Blackberry Branches painting, and it’s probably my largest and most complex piece to date: 36 x 24 inches, oil on panel.

Blackberry branches with Ranier Cherries

And some details:

Detail of buds

Detail, Queen Ann cherriesNow, on to a landscape from a sketching trip down to Bernard, on the very tip of MDI. Looking forward to a little more focal length in this one!

 

New work: Quince Branches in a Tan Vase

So much is happening in the garden: two new hives of bees, new bee fodder (phacelia!), new green manure mixtures, and a foray into next-gen gardening with Bio-Char. I want to write about all of it but there’s still life material growing out there too. The Ruby-Gold ornamental quince put out flowering branches for the first time this year; combined with a new thrift store tablecloth it made an excellent color study.

Ruby Gold Quince

Quince in a Tan Vase, 24 x 18, oil on panel