The days are just packed, as Calvin used to say to Hobbs. I have posts nearly ready to go about the Island-wide story slam, a recipe for arroz con/sin pollo in the wood oven, and a lecture on waffle gardening that I gave to the Castine Scientific Society last Tuesday. Meanwhile, I’ve been working my way through the first complete iteration of my “still life in situ” project with this painting of a honeysuckle vine framed by purple Matronalis.
This planting is in the dooryard, and I see it every morning as I leave the house in all kinds of weather and times of day. I want my paintings to represent something familiar and well known: plants that I’ve tended, pruned, picked for bouquets and appreciated in place. The time of day and season has become increasingly important to me. I felt my previous still life compositions with vases and drapery had very little atmosphere. The morning light here provides context, and the blooms and foliage represent a particular stage of their growth and decay, which has long been a prime characteristic of still life painting.
Honeysuckle and Dame’s Rocket, 36 x 24, oil on panel
And a detail, now with hummingbird!