Thuya bouquet series: Chinese Vase with Mums

New encaustic on the easel:

Mums in a Chinese Vase

On Sundays I have time to heat the wax and really think through the layers I need to produce complex colors in layers of wax. Encaustic bears a great resemblance to printmaking media, in that each mark is finite and permanent; there is no moving the color around after that first brushstroke. Of course, our winter days are so short I don’t have enough daylight to take a photo of the finished piece until the following Saturday, but I’ll try to post these on a weekly schedule. Next up, a small white vase with a pink spider mum against a gray sky and an entirely new vocabulary of colors to learn.

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