Our new studio space allows me to work on more that one piece at once. I like having drawings stacked against the wall, and the ability to switch pieces out to let the paint set up on one while mixing a whole new palette of colors for the next. It is immensely satisfying to have inventory! (I know I’m coming to this late, folks, really late.)
Right now I have a painting of a milk-glass vase with zinnias and asters in full swing, but I can also look at the previous oil sketch (same composition) and the charcoal and ink-wash drawing (slightly different viewpoint) for reference. AND, the painting is just so much easier having worked out my issues with aster construction in a previous piece. Not that the asters are smooth sailing even now – it’s rather too bad they grow so well in my garden because they are incredibly complicated.
This is the oil sketch: ivory black on tinted ground, 24 x 18 inches:
Here’s a detail. Asters are complicated!
And this is the wash drawing on Bristol paper, 20 x 17, slightly different view of the setup: