It has been a long three months of working through the idea of painting a background. My still life set-up area is not ideal; the hoop house walls are a plastic film that distorts colors and images behind it and my drapery arrangements are fixed as to height and weight. I’m getting more accomplished at setting up objects that relate to the structures they’re sitting on, but it’s all new to me – I’ve always been a big fan of “dump the oranges on to the table-top and paint them as they lay”. That philosophy (or lack of same) just isn’t working for me any more. I either need to move into Cezanne’s kitchen – where every view seems to be a paintable one – or I need to pay attention and integrate all the information available. The second choice seems more sustainable, but I’m not totally discounting the move to Paris.
New work under the new idiom, just dipping my toes in and painting the green and slippery tones that were really behind the set-up. Oil on board, 16″ x 20″, Roses in a Spanish Cup: