Category Archives: still life

New work – Halfway There

I’m involved in a series of diptychs; an exploration of overlapping images with a contiguous background and subject matter. What that means in practice is that, while I draw up both panels together, one half is actually painted before the other is started. It’s great for my color discipline as the lighting and hue of both panels was originally the same but it might be a month before I start on the second image. Here’s the left side of the current set – the right panel is still in progress.

Moorish Textile with Teapot, Zinnias, and Poppies, detail

Oil on gessoed panel, 36 x 24, detail

 

New work: Diptych of Poppies and Margarites

I’ve been experimenting with twin panels of overlapping arrangements. Diptychs are the art historian’s version of a chapter book, one view leading to another and sharing the overlap.

Here, alpine poppies, margarite daisies, cosmos, marigolds and woad spill out of 50’s vintage vases in morning light.

Diptych stilllife painting

Poppies and Margarites, 36 x 48 on two panels, oil on archival board

Finished, and off the easel

Snowberry Branches in a Tan Vase, 36 x 24, oil on panel

The native Symphoricarpos, commonly known as the snowberry, waxberry, or ghostberry, is a small genus of about 15 species of deciduousshrubs in the honeysuckle family, Caprifoliaceae. Most of the species are native to the eastern and midcoast of the US. In our yard the birds descend on the berries when they’ve turned soft and brown after a hard frost.

Snowberry Branches

Snowberry Branches, detail

Snowberry Branches, detail

Work in progress

In October we had the invasion of crab apples (and fruit flies) in the studio, wind storms with power outages, and revelations about drapery and the role of drawing in painting thanks to a dear friend lending me her copy of Modern Prints and Drawings by Paul Sachs. 

Now it has turned November and we have quince in progress, 24 x 18, oil on panel.

quince crystal linen

New work: Hibiscus in the Morning

Hibiscus is one of the last perennials to “wake up” every spring in the Maine garden, but is reliably, improbably, hardy in zone 5. Come September the flowers glow like torches lit against the dark maroon foliage. An autumn morning cloudy sky and apple branches add to the illusion that the papery flowers, beloved of Kali, are lit from within.

Hibiscus #1, 36 x 24, oil on panel