I’ve been experimenting with twin panels of overlapping arrangements. Diptychs are the art historian’s version of a chapter book, one view leading to another and sharing the overlap.
Here, alpine poppies, margarite daisies, cosmos, marigolds and woad spill out of 50’s vintage vases in morning light.
Poppies and Margarites, 36 x 48 on two panels, oil on archival board
The Italian Vase, 36 x 24, oil on panel
The first flower collection for 2018, many more to follow!
Majolica Pot with Cosmos and Daisies
I made studies and plan drawings for a dozen still life paintings this past summer, and working with these warm colors and sunlit blossoms is a terrific antidote for the stark landscape outside the studio window.
24 x 18 inches, oil on panel
Snowberry Branches in a Tan Vase, 36 x 24, oil on panel
The native Symphoricarpos, commonly known as the snowberry, waxberry, or ghostberry, is a small genus of about 15 species of deciduousshrubs in the honeysuckle family, Caprifoliaceae. Most of the species are native to the eastern and midcoast of the US. In our yard the birds descend on the berries when they’ve turned soft and brown after a hard frost.
Snowberry Branches, detail
A study for a larger painting, a bouquet of mint blossoms on a linen cloth.
24 x 18, oil on panel
In October we had the invasion of crab apples (and fruit flies) in the studio, wind storms with power outages, and revelations about drapery and the role of drawing in painting thanks to a dear friend lending me her copy of Modern Prints and Drawings by Paul Sachs.
Now it has turned November and we have quince in progress, 24 x 18, oil on panel.
The garden is dark and cold, time to move the harvest into the studio.
Coates willow charcoal on panel, 24 x 18.
Hibiscus is one of the last perennials to “wake up” every spring in the Maine garden, but is reliably, improbably, hardy in zone 5. Come September the flowers glow like torches lit against the dark maroon foliage. An autumn morning cloudy sky and apple branches add to the illusion that the papery flowers, beloved of Kali, are lit from within.
Hibiscus #1, 36 x 24, oil on panel
A new piece that explores my new ideal of representing plants surrounded by both their environment and compatriots; a group portrait as if Rembrandt’s Night Watch were tall herbs assembling on the garden path in all their finery.
Elecampne on the Garden Path, oil on panel, 36 x 24
An old friend in Portland gifted us with a piece of an old rose that grew in his father’s back yard. Hardy and sweet, it blooms once in midsummer on stems that arch nearly 10′, loaded down with pink blossoms and silvery foliage.
Morning Rose, 24 x 18, oil on panel
Morning Rose, detail