A new piece that explores my new ideal of representing plants surrounded by both their environment and compatriots; a group portrait as if Rembrandt’s Night Watch were tall herbs assembling on the garden path in all their finery.
Elecampne on the Garden Path, oil on panel, 36 x 24
An old friend in Portland gifted us with a piece of an old rose that grew in his father’s back yard. Hardy and sweet, it blooms once in midsummer on stems that arch nearly 10′, loaded down with pink blossoms and silvery foliage.
Honeysuckle is a reliable plant in the Maine climate, and I’d probably grow it for the hummingbirds even if it was fussy to grow. They flit in and out of the foliage from June to September and even the most competitive males find neutral territory to feed in peace on the red trumpets scattered over this huge, tangled bush. The purple flowers are Matronalis, or Dame’s Rocket, a member of the mustard family and much more deer-proof than Phlox, which they strongly resemble.
The final work will be 36 x 24, and the medium is oil on panel. We’re about halfway done in this photo, wish me luck!
This oil on panel is only 24 x 18 inches but required many color studies and more than a few site visits to finish. The granite underlying most of Mount Desert Island is a pink coarse-grained hornblende granite (Cadillac Mountain Granite) but Compass Harbor features a variety of older stratified rocks, including a volcanic series of tuff, felsite and interbedded volcanic and sedimentary rocks. The jumble of intersecting planes is fascinating, especially when the rocks are damp and showing off their true colors.
Compass Harbor with Bald Porcupine Island, 24 x 18, oil on panel
Hours of tedium and help from amazing friends turned this from an oft-heard comment (“Your drawings look like they could be paint-by-numbers!) into an actual book out in the real world.
Thanks to all, with a special shout-out to all the people who saw a woman in the road staring intently at their home over the edge of her sketchbook, and simply shrugged and went about their day without thinking too much about it.
I need to do a follow up post on waffle beds in the garden, possibly another on the new hive of bees, and I still haven’t planted out the spinach. On the other hand, my studio time has been very productive (and the spinach seeds can wait another few days).
I’ve finished the drawing stage of this beach painting from Seawall, in Manset. The beach and campground are part of Acadia National Park and one of the prime sites for the Night Sky Festival in September (which you should plan to be part of if you can – the stars are spectacular here on a clear night!). This is on a 24 x 36 panel and the drawing is done in Rembrandt Ivory Black oil.
Now to let it dry for a week, and spend some quality time on a smaller image of Compass Harbor.
The 2016 Acadia National Park centennial celebration has started with a bang, or well, a bean supper and an art show at the local kid’s summer camp. My work has taken many twists and turns over the past decades; from pastel to oil and still life to cityscape, and now “rocks and water” have come around just in time to celebrate a century of public access to some of the most beautiful scenery in the world. Just off the easel, Bass Harbor Rocks I, oil on panel, 24 x 18 inches.