Owl With Beets On The Longest Day, 36 x 24 inches, oil on panel
We’re back! It’s been a long time but blog posting seems to be achievable and I owe people posts on tick tubes, cake recipes, and views of new work. Here’s to getting down to business in 2021 (or 2022, we’re masking up and taking the long view). My show at Littlefield Gallery runs August 16 – September 13, and the opening reception is August 28. More information on that as we get closer to the date.
More wildlife in the garden – and in my paintings for 2020. Spinus tristis makes a tsee-tsi-tsi-tsit call in flight as they bounce around the garden from seed stalk to thistle head. While the femaleis on the nest she calls to her returning mate with a soft continuous teeteeteeteete sound, which we hear a great deal during early summer. The roses in this painting are from an unidentified plant that was a gift from a friend in southern Maine. It blooms once, gloriously, in early summer and has proved hardy in its little untended corner of the lower garden for twenty years.
The working title for my series of paintings in 2020 is “In the Garden” and will highlight the many and varied creatures that live and visit the space outside my studio.
I’ve been working to improve habitats for creatures in and around the garden beds. Amphibians, reptiles, and songbirds are all at risk worldwide and I have the advantage of excellent raw material in two acres of freshwater marsh and a harsh climate that resists invasives and favors native species. I have compositions planned to include our three local frog species: grey, tree, and spring peeper, multiple woodpeckers, the ducks and geese that stop here on their way through the spring and fall migrations, and the domestics that wander through on a lovely summer morning, like my neighbor’s Black Leghorn rooster, below.
This piece started with an underpainting of large tonal areas – a new technique for me this year. The underlying structure allows more freedom in the top layer to depict the complicated surfaces and textures of the creatures that will join the flowers in future paintings. Onward to “Roses with Goldfinch” in the studio!
The definition of a pattern is a discernible regularity. I’m working out what that means in terms of petals around a central disc, stems in a vase, and natural forms stylized using mathematical models to repeat seamlessly, such as wallpapers and textiles.
William Morris created a way of life through pattern: in ornament, textiles, product design, writing, and political activism. I was interested in the rigorous complexity as a backdrop to the riot of random color of the flame azalea branches.
I’m involved in a series of diptychs; an exploration of overlapping images with a contiguous background and subject matter. What that means in practice is that, while I draw up both panels together, one half is actually painted before the other is started. It’s great for my color discipline as the lighting and hue of both panels was originally the same but it might be a month before I start on the second image. Here’s the left side of the current set – the right panel is still in progress.
I had to do errands Downeast this fall and made time to stake out a painting spot on the wharf in Corea. The tide here runs 10′ or more, so timing my visits for the same time of day (for the light) and tide was complicated but worth every minute staring at the fine print in the almanac. I hope to get here when there’s snow on the ground some day.
I made studies and plan drawings for a dozen still life paintings this past summer, and working with these warm colors and sunlit blossoms is a terrific antidote for the stark landscape outside the studio window.
Snowberry Branches in a Tan Vase, 36 x 24, oil on panel
The native Symphoricarpos, commonly known as the snowberry, waxberry, or ghostberry, is a small genus of about 15 species of deciduousshrubs in the honeysuckle family, Caprifoliaceae. Most of the species are native to the eastern and midcoast of the US. In our yard the birds descend on the berries when they’ve turned soft and brown after a hard frost.