Hours of tedium and help from amazing friends turned this from an oft-heard comment (“Your drawings look like they could be paint-by-numbers!) into an actual book out in the real world.
Thanks to all, with a special shout-out to all the people who saw a woman in the road staring intently at their home over the edge of her sketchbook, and simply shrugged and went about their day without thinking too much about it.
Waffle beds are the opposite of the raised beds that have become a fixture in US gardens since the 60’s. Unfortunately, raised beds don’t work well in my micro-climate: mid-summer droughts make it difficult to get moisture to the plant roots, and our soil is light and sandy and doesn’t compact well in a heap. For years I’ve noticed that plants (mostly weeds) grow better in the depressions between beds but it wasn’t until this April that I began to take advantage of this. This is the first waffle bed I made almost two months ago, now full of well-grown celtuce and brassicas with a mixed cover crop around the edges.
The depression seems to have kept the seedlings sheltered from the cold winds and night frosts during our late spring. The waffles definitely increase water retention. Below are the first beds I dug near the house for our tomatoes and you can clearly see the color contrast between the dry walls and damp lower level.
The same seedlings, one week later and about twice the size. They evidently like the additional shelter and moisture, while the cover crop of Phacelia Tanacetifolia is drought-tolerant and sprouts well on the waffle “walls”. (I’ve planted 10 beds of at least 5 plants each – to the tune of 700 lbs of tomatoes as a conservative estimate of yield. Come September I may be posting extensively on tomato sauce production.)
This bed in the lower garden has been divided into five waffles: peach tree, cabbages, Provider bush green beans (still under row cover), BlueGold potatoes, and the far bed of celtuce and brassicas pictured above. Everything seems to be thriving. I’ve planted the poor soil heaped between waffles with nasturtiums and a low-growing cover crop mix, mostly to help hold the soil in place during the first year.
I’m pleased with this method so far! Next post will be on this weekend’s project: swales as a solution for “depression” gardening on a south facing slope. Here is a terrific introduction on swale gardening from Tenth Acre Farm.
The title of this post drew you right in, didn’t it? My apologies. This isn’t a post about delicious breakfast treats served with maple syrup, it’s even better than that. This is a revolution in gardening technique and it begins with a rebellion against the most popular home gardening trope of the century – raised beds.
There are various theories on the origin of the raised bed in the American landscape, but most point to a series of very popular television shows that promoted them for their orderly appearance and ease of management. Digging over rectangular coffin-sized sections of the garden and segregating them into different plant varieties has advantages, but most of these examples were produced under ideal conditions with superior soil and abundant irrigation. Those of us with very little or very poor soil and irregular rainfall had less favorable results. In the long haul, root action forces salts to the elevated surface and the resulting crust sheds water down the sides of the bed. I don’t water or irrigate and rainfall is rarely gentle or consistent enough to work through the top layers – especially when it breaks a drought and the soil is very dry.
In this sense, it’s very much like I’m gardening in a desert – a desert of my own making! Waffle beds have been used for centuries in gardens all over the world to address just this problem. Instead of building up, and exposing more soil to air and sun (good for plants and bad for dirt) the waffle bed sinks the level of productive soil below a surrounding dike of poor soil, conserving water and nutrients as well as providing a wind break.
I’m planning on spending the day building my first waffles (well, after the dump run, visiting with my mother, getting the groceries in. . .) and will post Part Two of this saga shortly. Meanwhile, here’s a drawing from Rainwater Harvesting for Drylands, courtesy of Amarillo Tableland, who posted this in 2011 and has an excellent series on seasonal results.
The 2016 Acadia National Park centennial celebration has started with a bang, or well, a bean supper and an art show at the local kid’s summer camp. My work has taken many twists and turns over the past decades; from pastel to oil and still life to cityscape, and now “rocks and water” have come around just in time to celebrate a century of public access to some of the most beautiful scenery in the world. Just off the easel, Bass Harbor Rocks I, oil on panel, 24 x 18 inches.
We finally have coverage at our house that seemed cleverly sited to hide from every cell phone tower in the area and now I have a phone! This is relevant because evidently phones have cameras now – very fine cameras indeed – and I can post documentation of works in progress without dragging the Canon down to the studio. I apologize in advance for the art-spam coming your way, have a spruce tree at the Bass Harbor Light to start:
I’ve held off on ordering seeds this year in hopes it will keep me from starting the tomatoes too soon and having them grow into hedges under the lights down cellar. Looking back at 20 years of records this is my latest order to date and the earliest was in November of 2002, back in the bad old days when we filled out the complex Fedco orders in the cheap newsprint catalog. The ink bled through the pages and I got my maths wrong every year.
Now the order form is online and does all the sums automagically. After some judicious editing for costs and allowing for a few indulgences, behold the 2016 seed order, below. Indulgences include:
Good King Henry, an open-pollinated perennial used as a pot-herb. I had always assumed it was named for an actual monarch, but no: Henry comes from the germanic haganrich which is literally ‘king of the hedge,’ a gremlin with goose’s feet that helps around the house and puts things where they belong. I’ll be able
Balady Aswan Celtuce, I feel like this would make a good band name, or an unbreakable password in a sci-fi movie. It’s actually a variety of Egyptian lettuce that is “customarily allowed to bolt and enjoyed for its 12–14″ crunchy stems with creamy flavor”. This is just the sort of thing that should growing in my garden.
230A – Jade Bush Green Beans ( A=2oz ) 1 x $2.30 = $2.30
298A – Windsor Fava Beans ( A=2oz ) 1 x $1.60 = $1.60
658A – Silver Queen White Sweet Corn ( A=2oz ) 1 x $2.50 = $2.50
818A – Oregon Giant Snow Peas ( A=2oz ) 1 x $1.60 = $1.60
916A – Dove Ananas Type ( A=1g ) 1 x $2.40 = $2.40
1312A – Marketmore 76 Slicing Cucumbers ( A=1/16oz ) 1 x $1.00 = $1.00
2058A – Red Cored Chantenay Carrots ( A=1/8oz ) 1 x $1.00 = $1.00
2093A – Yaya OG Carrots ( A=1g ) 1 x $2.20 = $2.20
2149A – Touchstone Gold OG Beets ( A=1/8oz ) 1 x $2.00 = $2.00
2425A – Bleu de Solaize Leeks ( A=1/16oz ) 1 x $1.50 = $1.50
2538A – Avon Spinach ( A=1/4oz ) 1 x $1.50 = $1.50
2715A – Balady Aswan OG Celtuce ( A=1g ) 1 x $2.30 = $2.30
2764A – Blushed Butter Oaks OG Leaf Lettuce ( A=1g ) 1 x $1.80 = $1.80
2768A – Lingua di Canarino (Canary Tongue) OG Leaf Lettuce ( A=1g ) 1 x $1.40 = $1.40
2773A – Hyper Red Rumple Waved OG Leaf Lettuce ( A=1g ) 1 x $1.70 = $1.70
2921A – Anuenue OG Batavian Lettuce ( A=1g ) 1 x $1.40 = $1.40
2985A – Red Carpet Lettuce Mix OG Lettuce Mix ( A=1g ) 1 x $1.80 = $1.80
3096A – Good King Henry Good King Henry ( A=0.5g ) 1 x $1.50 = $1.50
3218A – Senposai Senposai ( A=1/16oz ) 1 x $1.40 = $1.40
3223A – Yokatta-Na Yokatta-Na ( A=1/16oz ) 1 x $1.40 = $1.40
3226A – Early Mizuna OG Mizuna ( A=1/16oz ) 1 x $1.30 = $1.30
3309A – Green Super Broccoli ( A=0.5g ) 1 x $1.50 = $1.50
3327A – Piracicaba Broccoli ( A=2g ) 1 x $1.30 = $1.30
3339A – Gustus Brussels Sprouts ( A=0.5g ) 1 x $2.80 = $2.80
3397A – Wirosa Savoy Cabbages ( A=0.1g ) 1 x $2.00 = $2.00
3459A – Darkibor Kale ( A=0.5g ) 1 x $2.20 = $2.20
3461A – Red Russian Kale ( A=2g ) 1 x $1.00 = $1.00
3776A – Feher Ozon OG Sweet Peppers ( A=0.2g ) 1 x $1.50 = $1.50
4038A – Cosmonaut Volkov OG Tomatoes ( A=0.2g ) 1 x $1.40 = $1.40
4059A – Cherokee Purple OG Tomatoes ( A=0.2g ) 1 x $1.40 = $1.40
4146A – Blue Beech OG Paste Tomatoes ( A=0.2g ) 1 x $1.60 = $1.60
4253A – Jasper OG Cherry Tomatoes ( A=0.02g ) 1 x $3.60 = $3.60
4414A – Sweet Basil Basil ( A=4g ) 1 x $1.30 = $1.30
4510A – Bodegold Chamomile Chamomile ( A=1g ) 1 x $1.50 = $1.50
4588A – Lemon Balm Lemon Balm ( A=0.3g ) 1 x $1.30 = $1.30
4668A – Silver Sagebrush White Sage ( A=0.02g ) 1 x $1.40 = $1.40
4836A – Carnival Amaranths ( A=0.2g ) 1 x $1.50 = $1.50
5350A – Elka OG Poppies ( A=0.1g ) 1 x $1.30 = $1.30
5351A – Ziar Breadseed OG Poppies ( A=0.1g ) 1 x $1.30 = $1.30
5611A – Perennial Sweet Pea Sweet Peas ( A=1g ) 1 x $1.40 = $1.40
Total for seeds this year = $66.90, plus $4.00 USD that I’m spending on Heirloom Black Sea Samsun Turkish tobacco seed from Hart’s because I think the bees are going to go crazy over tobacco blossoms.
The houses in Stonington, Maine continue to be an inspiration. Snow melts and blows away quickly this close to the ocean so I haven’t managed to get out painting on a day with both sun and white stuff, but that’s the next project. Meanwhile, a small painting (16 x 12) of a house with blue awnings on the west side.
On day last October I meandered down the coast and finally settled on a view across the harbor to the Town of Stonington in the late day sun. It was cool and clear and I managed to dodge the group of photographers with HUGE lenses who were also hunting for the perfect light; that trophy view of little white structures gamely climbing the hill above the ocean.
Many thanks to the Stonington Free Library for providing shelter and a place to check my email. The librarian was endlessly patient with folks who couldn’t remember the last name of the author (Wilder) or the title of that series about Merlin (which turned out to be the Arthurian Saga by Mary Stewart). It was a wonderful day.
Little White Town I, Stonington, 18″ x 36″, oil on panel