Category Archives: landscape

New work: Study for “Mrs. M. and a Cherry Tree”

I very much wanted to title this piece “Mrs. M. and the Cherry Tree That Desperately Needs Pruning” but that sounded too much like the next Harry Potter novel.

Figure in a garden, cherry tree

This is a study for a larger painting, but we have to get our model time in when we can (especially during blackfly season).

Ivory Black on panel, 24 x 24

New work: Hibiscus in the Morning

Hibiscus is one of the last perennials to “wake up” every spring in the Maine garden, but is reliably, improbably, hardy in zone 5. Come September the flowers glow like torches lit against the dark maroon foliage. An autumn morning cloudy sky and apple branches add to the illusion that the papery flowers, beloved of Kali, are lit from within.

Hibiscus #1, 36 x 24, oil on panel

New work: Compass Harbor, Bald Porcupine Island

This oil on panel is only 24 x 18 inches but required many color studies and more than a few site visits to finish. The granite underlying most of Mount Desert Island is a pink coarse-grained hornblende granite (Cadillac Mountain Granite) but Compass Harbor features a variety of older stratified rocks, including a volcanic series of tuff, felsite and interbedded volcanic and sedimentary rocks. The jumble of intersecting planes is fascinating, especially when the rocks are damp and showing off their true colors.

Compass Harbor Bald Porcupine

Compass Harbor with Bald Porcupine Island, 24 x 18, oil on panel

New work: Amy’s Maine Coloring Book

Amy’s Maine Coloring Book is now available on Amazon!

Hours of tedium and help from amazing friends turned this from an oft-heard comment (“Your drawings look like they could be paint-by-numbers!) into an actual book out in the real world.

Thanks to all, with a special shout-out to all the people who saw a woman in the road staring intently at their home over the edge of her sketchbook, and simply shrugged and went about their day without thinking too much about it.

 

New work – Low Tide, Seawall

I need to do a follow up post on waffle beds in the garden, possibly another on the new hive of bees, and I still haven’t planted out the spinach. On the other hand, my studio time has been very productive (and the spinach seeds can wait another few days).

Seawall Acadia National Park

Seawall, Low Tide Afternoon, 24 x 36 oil on panel

New on the easel

I’ve finished the drawing stage of this beach painting from Seawall, in Manset. The beach and campground are part of Acadia National Park and one of the prime sites for the Night Sky Festival in September (which you should plan to be part of if you can – the stars are spectacular here on a clear night!).  This is on a 24 x 36 panel and the drawing is done in Rembrandt Ivory Black oil.

Seawall, Manset

Now to let it dry for a week, and spend some quality time on a smaller image of Compass Harbor.

New work and Acadia National Park turns 100

The 2016 Acadia National Park centennial celebration has started with a bang, or well, a bean supper and an art show at the local kid’s summer camp. My work has taken many twists and turns over the past decades; from pastel to oil and still life to cityscape, and now “rocks and water” have come around just in time to celebrate a century of public access to some of the most beautiful scenery in the world. Just off the easel, Bass Harbor Rocks I, oil on panel, 24 x 18 inches.

Bass Harbor Light Maine

 

New work, Bass Harbor

We finally have coverage at our house that seemed cleverly sited to hide from every cell phone tower in the area and now I have a phone! This is relevant because evidently phones have cameras now – very fine cameras indeed – and I can post documentation of works in progress without dragging the Canon down to the studio. I apologize in advance for the art-spam coming your way, have a spruce tree at the Bass Harbor Light to start:

Bass Harbor Light Spruce tree

New work

The houses in Stonington, Maine continue to be an inspiration. Snow melts and blows away quickly this close to the ocean so I haven’t managed to get out painting on a day with both sun and white stuff, but that’s the next project. Meanwhile, a small painting (16 x 12) of a house with blue awnings on the west side.

Stonington Maine